Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors, and the like that produced them.
Combat Gallery Sunday : The Martial Art of Herbert Knotel
Born in 1893 in Berlin, then the capital of old Hohenzollern Prussia and that of Imperial Germany as a whole, Herbert Knotel was the son of renowned uniformologist and military historian Richard Knötel (1857-1914). The elder Knotel pioneered uniform art and in many cases drew from preserved examples whenever possible.
His father’s uniform books are classics that endures to this day as is his massive 1,000-plate Große Uniformkunde, which young Herbert assisted with.
Herbert found himself as a officer in the Prussian Army and, assigned to Hindenburg’s 1st Army was wounded at Tannenburg during WWI. He finished the war as a Hauptmann in a horse cavalry unit on the Eastern Front.
With the world turned upside down in 1919, he returned to Berlin and took up the family business, both expanding and preserving his father’s inherited work and producing original plates of his own while helping run the Berlin Zeughaus Museum.
He was meticulous, first sketching his art, then using watercolors for shading and fill work and finishing with acrylics.
When the Soviets occupied Berlin in 1945, Knotel was commissioned to cover the uniforms of that force in an epic 50-plate set, drawing many from officers and enlisted he met from Zhukov’s Red Army. These were later combined with over 100 images of the Tsarist army uniforms to create a single volume.
Knotel died in 1963.
A huge cross-section of his work, including the Soviet set, is maintained online at the Anne S.K.Brown collection.
The modern tome that best covers his (non-Soviet) work is Herbert Knotel’s German Armies in Color: As Illustrated in His Watercolors & Sketches by Andrew Woelflein and Napoleonic uniforms by Col. John Robert Elting.
Thank you for your work, sir.